Santa Fe, 1922–1950

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Raymond Jonson has his first exhibition of four artworks at the New Mexico Museum of Art in Santa Fe in 1918.

In 1922, Jonson visits Santa Fe from June to September. He purchases property for a home, and renews contact with B.J.O. Nordfeldt.

In 1923, Jonson resumes teaching at the Chicago Academy of Fine Arts, as well as other pursuits in Chicago in order to raise money to move to Santa Fe. He meets Charles Morris through the twenty-seventh annual Artists of Chicago exhibition.

Jonson returns to Santa Fe in July, and begins building his home and studio. He does not create any artworks during this year.

The Jonsons move into their new home and studio in Santa Fe. Raymond Jonson’s painting Light is purchased for the Museum of New Mexico. He meets Arnold Ronnebeck and decides to stop submitting paintings to juried exhibitions.

Raymond Jonson opens the Atalaya Art School in Santa Fe with a ten-week summer schedule. He stops writing his diary.

Atalaya Art School brochure, 1926

The “Six Men” painting group is organized in Santa Fe with Andrew Dasburg, B.J.O. Nordfeldt, John E. Thompson, Jozef Bakos, Willard Nash, and Raymond Jonson as members. The New Mexico Museum of Art organizes a modern wing to hold monthly exhibitions of works by the group as well as by Russell Cowles and Olive Rush.

 Vera Jonson begins working at the Spanish and Indian Trading Company (organized by Nordfeldt, Dasburg, Witter Bynner, and John Evans). She purchases pottery and jewelry from a number of New Mexican pueblos and builds a collection that will eventually be held at the Maxwell Museum of Anthropology at the University of New Mexico. Raymond Jonson included some of these objects in his paintings. 

During this year, Raymond Jonson visits the Grand Canyon, paints his first trilogy on shaped canvas, closes the Atalaya Art School, and sells his first home and studio.

Jonson builds his second home and studio. He visits Carlsbad Caverns and paints a second trilogy.

The modern wing at the New Mexico Museum of Art is discontinued. 

Raymond Jonson visits New York where he rents an apartment for an extended period of time and has an important exhibition at Delphic Studios. While in New York, he also writes a Guggenheim Memorial Foundation Fellowship application seeking to study in Europe and possibly meets Agnes Pelton and Dane Rudhyar.


Raymond Jonson’s application to the Guggenheim Memorial Foundation Fellowship, 1931.

Raymond Jonson visits Chicago, New York, and the Barnes Foundation in Philadelphia.

The exhibition Chicago: A Century of Progress, which includes both painting and sculpture, opens in May and runs through October at the Art Institute of Chicago. Raymond Jonson spends twenty days in Chicago studying the exhibition. The New Mexico Museum of Art mounts an exhibition from September to October that includes works by Jonson, Agnes Pelton, and Cady Wells.

Raymond Jonson begins teaching painting one day a week at the University of New Mexico in Albuquerque. He also paints his Cycles of Science series for the Works Progress Administration.

Description of Cycles of Science installation in Zimmerman Library at the University of New Mexico, 1934.

Raymond Jonson meets Alexander Archipenko and Laszlo Moholy-Nagy in Chicago during an exhibition of Archipenko’s work at the Art Institute of Chicago in December.


Archival Resources