UNMAM to Open Push & Pull: The Prints of Helen Frankenthaler and Her Contemporaries

The UNM Art Museum (UNMAM) is pleased to announce Push & Pull: The Prints of Helen Frankenthaler and Her Contemporaries. Opening on Friday, January 31, 2025, the exhibition celebrates abstraction in all print processes. Drawing on the UNM Art Museum’s permanent collection, Push & Pull focuses on the works of Helen Frankenthaler and Elaine de Kooning. Displayed alongside prints by their contemporaries, the works in this exhibition demonstrate important collaborations with American publishers such as Universal Limited Art Editions (ULAE), Tyler Graphics Ltd., and Tamarind Institute.

Featured artists also include Richard Diebenkorn, Sol Lewitt, Robert Motherwell, Jackson Pollock, Larry Rivers, and Pat Steir.

Helen Frankenthaler (1928-2011), Passeggiata Romana, 1973, Edition 18/32. Five color sugar-lift etching and aquatint on white Fabriano paper. 27 1/4 x 39 1/8 inches (69.2 x 99.4 cm). © 2025 Helen Frankenthaler Foundation, Inc. / Artists Rights Society (ARS), New York / 2RC Editrice, Rome.

This exhibition was made possible through a gift of 20 prints by Helen Frankenthaler as part of Phase II of the Frankenthaler Prints Initiative. As an awardee, UNMAM also received a one-time grant from the Helen Frankenthaler Foundation to develop a project or program for the study, presentation, and interpretation of the print editions and proofs. Grantees were selected based on demonstrated commitments to prints as significant collection areas and teaching tools, according to Elizabeth Smith, Executive Director of the Helen Frankenthaler Foundation.

Push & Pull was curated by UNMAM Curator of Prints & Photographs, Mary Statzer, and Curator of Collections & Study Room Initiatives, Angel Jiang. In the spirit of supporting student education in the visual arts and art history, the exhibition also includes contributions from graduate and undergraduate students at The University of New Mexico (UNM).

During the Fall 2024 semester, Angel Jiang taught “Abstraction on Paper: Curating Postwar American Prints and Drawings (AHIS 429/529),” a course offered through UNM’s Department of Art. The course provided students an opportunity to work closely with the museum’s permanent collection, gain knowledge of Postwar American art, and contribute to Push and Pull. In addition to completing a final research paper, students participated in research and writing to support the exhibition. Their work will be included in the exhibition through extended labels and sound pieces.

UNM graduate student Hannah Cerne (MA in Art History and Museum Studies) has been a valuable addition to the curatorial team for Push & Pull. A graduate assistant and student employee at UNMAM since August 2023, Cerne collaborated with Curators Mary Statzer and Angel Jiang this past summer as a curatorial assistant. In this role, she had the opportunity to view artworks in person, contributing to their selection for the exhibition. Reflecting on her experience, Cerne shared, “Serving as a curatorial assistant was an insightful opportunity that provided me with crucial knowledge in exhibition organization and curatorial practices.”

Currently, Cerne is developing the exhibition’s gallery guide with support from museum staff. “Creating a gallery guide is a new experience that I was eager to take on,” said Cerne, “I knew the skills I gained from this project would serve me in the future.” Through this project, she has strengthened her graphic design skills while also building project management skills, such as collaborating with a team, meeting deadlines, and adapting to changing project needs. The gallery guide, which illustrates the artists and print studios in the exhibition, will be available to visitors at the UNM Art Museum.

Featured Artists and Print Studios

Push & Pull marks the first time that the gifts received from the Frankenthaler Print Initiative will be on view at the UNM Art Museum. In addition to works by Helen Frankenthaler, the exhibition also features prints and drawings by:

Elaine de Kooning

Richard Diebenkorn

Sol Lewitt

Robert Motherwell

Jackson Pollock

Larry Rivers

Pat Steir

The exhibition acknowledges the symbiotic relationship between printmakers and painters who shared their expertise and sensibilities with one another. Their combined efforts opened avenues for experimentation in both the painter’s studio and the print studio, pushing each medium in exciting new directions. Push & Pull celebrates the important role of print studios by featuring works published by:

2RC Edizioni d’Arte

Chiron Press

Crown Point Press

Garner Tullis

Gemini G.E.L.

I. Hollander Workshop

Multiples, Inc.

Polígrafa Obra Gràfica

Tamarind Institute and Tamarind Workshop

Tyler Graphics Ltd.

Universal Limited Art Editions

In the Fall, UNMAM issued an open call for students to create works on paper (drawing, prints, and photographs) in response to Frankenthaler’s prints for this exhibition. Interested applicants were invited to respond to Frankenthaler’s use of color, philosophy, technique, or materials.

Three students were selected due to their high degree of artistic merit, originality, and meaningful engagement with Frankenthaler’s work. Throughout the duration of the exhibition, Adrian Ricca Lucci (BFA student in painting and drawing), Brianna Tadeo (third-year MFA student in photography), and Yoma Wilson (second-year MFA student in printmaking) will have their artwork displayed alongside prints by Helen Frankenthaler.

Exhibition Events & Programs

We invite you to join us for the opening reception of Push & Pull: The Prints of Helen Frankenthaler and Her Contemporaries on Friday, January 31, 2025, from 4:00 – 7:00 PM at The University of New Mexico Art Museum.

Further events and programs will be announced at artmuseum.unm.edu/events

Press Contact:

Devin E. Geraci, Associate Director of Operations

dgeraci@unm.edu / (505) 277-6773